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The Bling Ring is by far the least compassionate movie she has ever made. It’s no stretch to say that Marie Antoinette behaved the way any wealthy, beautiful young person might in a similar situation. Marie Antoinette treats the queen with a healthy amount of understanding-she was just a tween by today’s standards, after all, sold into marriage to forge an alliance between two countries. The Virgin Suicides, in which a group of boys try to understand the mysterious sisters next door, is an achingly beautiful film about outsiders who want to get in, and insiders who go to terrible lengths to get out. Her movies are always heartbreakingly compassionate. This is true, but it leaves out one detail: Sofia Coppola has demonstrated a wealth of sympathy for her protagonists. In the book’s introduction, where Sales talks about meeting with Coppola to discuss the initial adaption of the Vanity Fair piece, Sales describes her film ouevre as being about “the obsession with celebrity the entitlement of rich kids the emptiness of fame as an aspiration or a way of life.” The bio on the back of her book lists a few of her select profiles: Damien Hirst, Tyra Banks, Russell Simmons, Lindsay Lohan, Taylor Swift, and of course, Paris Hilton. Sales has been chronicling the lifestyles of Vanity Fair-approved celebrities for years. Sofia Coppola and Nancy Jo Sales are, by all accounts, the perfect people to tell this story. They wanted to try on their identities, see if they fit. Upper middle-class teenagers can save up birthday money and work at high-end boutiques for discounts if all they want is a pair of shoes, but these teenagers wanted more than that: to play dress-up in celebrities’ closet. (The story was also a prominent plot point on Pretty Wild, the reality television show about Alexis Neiers and her family, which was already filming when the theft allegations came to light.) Both the book and the movie try to present this motley crew as crass and dangerous. But we can identify with the urge.Ĭoppola’s film is based on Nancy Jo Sales’ 2010 Vanity Fair feature, “The Suspects Wore Louboutins,” which became a book, also called The Bling Ring. You’re not supposed to do anything or have anything-sex, drinking, drugs, a disposable income-but never in your life will you want it that badly.
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Adolescence is all about longing and denial. In one way or another, we have all been that teenager. There was no Robin Hood ethos behind these thefts: the Bling Ring, a group of upper middle-class kids from a nice neighbourhood, were stealing for themselves-they had enough of what they wanted to know they wanted more. Watching The Bling Ring, Sofia Coppola’s film based on the events, Hilton told reporters at Cannes that she cried as the actors pawed through her real-life closet (the film was shot partly at her home) and danced in her real-life nightclub room. They robbed Paris Hilton because they said she seemed stupid enough to leave a key under her mat (they were right). From October 2008 to August 2009, Rebecca Lee, Nick Prugo, Alexis Neiers, Courtney Ames, and Diana Tamayo robbed six homes multiple times, making off with just enough to satisfy their thirst for the finest Barney’s has to offer. A group of teenagers living in Calabasas, California, they hopped fences and opened unlocked doors to steal their favourite celebrities’ Balmain dresses and Vuitton duffels. She is the very definition of a good fan.īy contrast, the Bling Ring was a waking nightmare. There is talk of monetizing her website-but tastefully, without compromising her superfan image. Once, Demi Lovato’s mother hugged her for posting flattering photos of her daughter during a particularly rough time.
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She does not sell photos to publications and she has turned down offers for reality TV shows. Sarah doesn’t want photos of her favorite celebrities falling down drunk or committing felonies she wants to see them shine. She’ll say, ‘Do you mind if I get a picture?’ And if you’re like, ‘Not right now, Sarah,’ she’s like, ‘No problem.’ And she’s just a very sweet, sweet person.”’
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‘“The thing is, she’s not overbearing… She respects people’s space. Last month The New York Times Magazineprofiled a 17-year-old girl affectionately known as “ Stalker Sarah.” Scooter Braun, the manager for Justin Bieber and Carly Rae Jepsen among others, told Molly Knight that he considers following Sarah’s movements on Twitter and such part of his job.